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Fela Kuti The life of Fela is full contradictions, and that's part of what makes him so captivating. People who love him will forgive the flaws in him. His songs typically last longer than 20 minutes and are sung in dense, almost unintelligible Pidgin English. His music is influenced primarily by Christian hymns and classical music. He also blends jazz, Yoruba, and highlife with guitars and horns. He was a musician Fela Kuti embodied that music can be a tool to change the world. He made use of his music to push for social and political changes, and his influence is still evident in the world of today. His style of music, Afrobeat, is a blend of African and Western influences. Its roots are in West-African music and funk. However, it has evolved into a completely new genre. His political activism was ferocious and he took action without fear. He used his music to protest government corruption and human rights violations. Songs like “Zombie”, “Coffin for the State Head” and others were shrewd criticisms of Nigeria's dictatorship. He also made his home, Kalakuta Republic, as an area for political activism as well as a gathering place for people who were like-minded. The play features a large portrait of his mother, Funmilayo Ransome-Kuti, who was a well-known feminist activist and pioneer of the feminist movement. Shantel Cribbs portrays her and she does a great job of conveying her importance in Fela's life. The play also highlights on her political activism. Despite her declining health, she refused to get tested for AIDS and instead opted for traditional treatments. He was a singer Fela Ransome Kuti was a complex person who used music to effect changes in the political landscape. He is renowned for his creation of afrobeat – a fusion of funk and dirty African rhythms. He was also a fervent critic of Nigeria's political and religious leaders. Being raised by an anti-colonial suffragist mother, it is no surprise that Fela had a passion for social commentary and politics. His parents had hoped that he would be a doctor but he had other ideas. While he initially sounded in a more apolitical, highlife style, a trip to America would change his outlook forever. Exposure to Black political movements and leaders such as Malcolm X and Eldridge Cleaver would have a profound influence on his music. He developed a philosophy of Pan-Africanism, which would inform and guide his later work. He was a writer While in the United States Fela was introduced to Black Power activists such as Stokely Carmichael and Malcolm X. The experience inspired him to start an organization called the Movement of the People, and to write songs that expressed his thoughts about black activism and political consciousness. His philosophy was expressed publicly through yabis – a form public speaking he called 'freedom expression'. He also started to impose an ethical code of conduct on his band. This included refusing to accept prescriptions from Western-trained medical professionals. Fela returned to Nigeria and started building his own club in Ikeja. Police and military officials were all the time. His Mosholashi-Idi Oro hangers repopulated the area around the club with drugs of all kinds, especially “bana” and “yamuna” (heroin). Fela maintained his integrity in spite of this. His music is a testimony of his determination to challenge authority and demanding that the popular goals are recognized in official goals. It is an amazing legacy that will endure for generations to be. He was a poet In his music, Fela used light-hearted sarcasm to draw attention to political and economic issues in Nigeria. He also mocked his fans as well as the government and himself. He referred to himself during these shows as “the big dick in the little pond.” The authorities did not take his jokes lightly, and he was frequently detained, imprisoned, and beat by the authorities. He was eventually given the name Anikulapo which means “he is carrying his body in his purse.” In 1977, Fela recorded a song called “Zombie,” which compared soldiers to zombies who obeyed orders without hesitation. The military was offended by the song, which raided the Kalakuta Republic, burning it down and beating its inhabitants. In the course of the raid, Fela's mother was thrown from her second-floor window. In the decades after Nigeria's independence, Fela created Afrobeat, a genre of music that blended jazz and native African rhythm. His songs criticised European culture imperialism and supported African traditional beliefs and cultures. He also criticised fellow Africans for betraying the traditions of their homeland. He also stressed the importance of freedom and human rights. He was a rapper Fela Anikulapo Kuti, trumpeter and saxophonist, was born in Abeokuta in 1938. He is a pioneer in Afrobeat music. He grew up listening to jazz and rock and roll, as well as traditional African music and chants which helped shape his style of music. After a trip to the United States, Fela met Sandra Smith. She was an activist in the Black Power Movement. Her ideas influenced his work. Fela's music became a political instrument upon his return to Nigeria. He criticized the government of his home country and argued that African culture should not be diluted by Western sensibilities. He also wrote about social injustices and human rights violations and was frequently detained for his criticism of the military. Fela was also a fervent advocate of marijuana in Africa and is referred to as “igbo”. He also held “yabis” (public discussions) at the Afrika Shrine where he would ridicule officials of the government and express his views regarding freedom of expression and the beauty of women's bodies. Fela also had a harem of women in his youth, who danced at his shows and acted as vocal backups to him. He was a dancer Fela was a master of musical fusion, taking elements from jazz, beat music and highlife to create his own distinct style. He was a prominent African musician and vocal critic of colonial ruling. Fela refused to be detained and tortured by the Nigerian military junta, as well as witnessing the murder of his mother. He died in 1997 from AIDS-related complications. Fela was a political activist who was critical of the oppressive Nigerian government and embraced the principles of Pan Africanism. His albums, such as 1973's Gentleman focused on the oppression of both government and colonial forces. He also pushed for black power and criticised Christianity and Islam as non-African imports that have been used to divide the people of Africa. Shuffering and Smiling is the title track from the album released in 1978. It describes overcrowded public buses full of people who are poor, “shuffering and smiling”. Fela was a fierce opponent of religious hypocrisy. His music was also complemented by his dancers who were lively sensual, regal, and sensual. Their contributions to the performances were as important as Fela's words. He was a political activist Fela Kuti utilized music as a tool to challenge oppressive authorities. He took his knowledge of American jazz and funk to African styles and rhythms, creating an edgy sound that was prepared for battle. Most of his songs begin as slow-burning instrumentals. He layers little notes, riffs and other elements until they explode with a sense of urgency. Unlike many artists, who were hesitant to publicly discuss their political views, Fela was fearless and uncompromising. He stood in the cause he believed in, even when it was risky. Funmilayo Ransome Kuti was a feminist leader of the Nigerian Women's Movement. His father was a protestant minister and president of the teachers' union. He also founded Kalakuta Republic, a commune and recording studio that was an emblem of resistance. The government seized the commune, destroying the property and injuring Fela badly. He refused to give up, however and continued to speak out against the government. fela lawyer passed away from complications of AIDS in 1997. His son Femi continues to carry on his political and musical legacy. He was a father Music is often seen by many as a form of political protest. Musicians use lyrics to call for change. Some of the most powerful music demonstrations aren't performed with words. Fela Kuti is among the artists mentioned above and his music is heard today. He was the first to pioneer Afrobeat music, which combines traditional African rhythms and harmony with hip-hop and jazz that was influenced by artists such as James Brown. Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist and opposed colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied Marxism and believed that Nigeria should serve its entire population. Seun, Fela's Son, continues to carry the legacy of his father through a band named Egypt 80. The band is touring the world in this year. The Egyptian 80's music blends the sounds of Fela and a scathing critique of power structures that still exist in the present. Black Times will be released at the end March. A large number of fans attended the funeral and paid respects in Tafawa Balewa Square. The crowd was so huge that the police had to block the entrance.